Describe it, and it’s built in minutes
10 formats · 58 produced
FORMAT
REF
THE PROMPT BOX

Lovable’s workhorse, verticalized. One template, many coach verticals — four built.
REF
▶
IN MOTION
▶The Prompt Box, animated — typing at the house 25 chars/sec, the build rises. Four built.
REF
THE QUOTE CARD

Customer quote as the hero on a dark card, the BUILT product peeking out behind it as the receipt, avatar attribution. Rebuilt to the full reference structure after Andy’s fuller-than-ours catch.
REF
THE PHOTO PILL

Full-bleed photo (or desk artifact), rising wash, claim, prompt pill types, end card. VIDEO ONLY. Rebuilt after the Rey + panel diagnosis: copy re-originated (client-pull, not guilt), wash inverted to brighten, the deferral artifact on screen in v4.
REF
THE PROMPT SANDWICH

Claim / real prompt / claim — “One prompt… Lovable does the rest.” No product shot; the type does the work. Andy-shortlisted reference.
REF
THE TIME REFRAME

The old way’s cost FELT in money and growth — cohorts lost, income plateaued, revenue on a spreadsheet — then the gate-state closer. Money-aggressive per Andy 8/12; six units produced.
REF
THE WISH ARC

From “I wish this existed.” to “I’ve built it.” — the arc in two lines, artifact beneath. Andy-shortlisted reference.
REF
THE BARE TYPE

Opens as nothing but a typing pill on a void — then send blooms, the headline + built payoff rise, gradient end card. The quiet open is the hook; the full ref has four beats. Andy-shortlisted reference.
REF
THE BUILD STORY

Creator UGC — a real person narrating one personal build. Three Andy-shortlisted references merged. v1 concept produced with an AI cast; a real coach remains the ship path.
REF
▶
THE BUILD VIEW
▶The master recording cut for the feed — authored type on top, the real build experience as the middle slot, closer completing the sandwich. The camera follows the claim: composer → the split → skeleton-to-site resolve → LIVE. Proves the mechanic and the payoff at feed scale; the chrome fidelity buys believability, not readability. Commissioned by Andy off the 27.9s master; re-cut on v3 footage in flight.
PRODUCED
V3 · STATIC
FAMILY
FAMILY
FAMILY
FAMILY · $
FAMILY · $
FAMILY · $
FAMILY · $
FAMILY · $
FAMILY · $
QUOTE CARD · V2
QUOTE CARD · V2
QUOTE CARD · V2
QUOTE CARD · NEEDS MATCH
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶PHOTO PILL · V4 DESK
▶PHOTO PILL · V3
▶PHOTO PILL · $
▶PHOTO PILL · $
▶PHOTO PILL · $
▶PHOTO PILL · $
▶PHOTO PILL · $
SANDWICH · V1
▶SANDWICH · MOTION
SANDWICH · LIGHT
SANDWICH · SPEED
SANDWICH · LIGHT
SANDWICH · $
SANDWICH · LIGHT
SANDWICH · $
SANDWICH · LIGHT
▶BUILD VIEW · 10s · INTERIM
WISH ARC · V1
WISH ARC · COURSE
WISH ARC · $
WISH ARC · COHORT
▶TIME REFRAME · OPP
▶TIME REFRAME · OPP
▶TIME REFRAME · OPP
▶TIME REFRAME · OPP
▶TIME REFRAME · OPP
▶BARE TYPE · V2 · 9s
▶BARE TYPE · $
▶BARE TYPE · $
▶BARE TYPE · $
▶BARE TYPE · $
▶BARE TYPE · $
▶BUILD STORY · CAPTIONED
V3 · STATIC
FAMILY
FAMILY
FAMILY
FAMILY · $
FAMILY · $
FAMILY · $
FAMILY · $
FAMILY · $
FAMILY · $
QUOTE CARD · V2
QUOTE CARD · V2
QUOTE CARD · V2
QUOTE CARD · NEEDS MATCH
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶IN MOTION · 8s
▶PHOTO PILL · V4 DESK
▶PHOTO PILL · V3
▶PHOTO PILL · $
▶PHOTO PILL · $
▶PHOTO PILL · $
▶PHOTO PILL · $
▶PHOTO PILL · $
SANDWICH · V1
▶SANDWICH · MOTION
SANDWICH · LIGHT
SANDWICH · SPEED
SANDWICH · LIGHT
SANDWICH · $
SANDWICH · LIGHT
SANDWICH · $
SANDWICH · LIGHT
▶BUILD VIEW · 10s · INTERIM
WISH ARC · V1
WISH ARC · COURSE
WISH ARC · $
WISH ARC · COHORT
▶TIME REFRAME · OPP
▶TIME REFRAME · OPP
▶TIME REFRAME · OPP
▶TIME REFRAME · OPP
▶TIME REFRAME · OPP
▶BARE TYPE · V2 · 9s
▶BARE TYPE · $
▶BARE TYPE · $
▶BARE TYPE · $
▶BARE TYPE · $
▶BARE TYPE · $
▶BUILD STORY · CAPTIONEDLANDING PAGE · ?a=28 — DRAFT SLOTS
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